The California Honeydrops – Call It Home (feat. Bonnie Raitt) (2018)

“This album, like this band and its members, cannot be put in a box. Though very much ‘of this time’, the music and stories on this album take you through many eras, places and points of view. Some songs might find you reminiscing, cruising your old neighborhood a sunny day with a full orchestra pouring out of the stereo. Then suddenly you hear tambourines and voices pouring out of a storefront church. You may find yourself sweating out a weeks work on the dance floor at a house party or just singing round a campfire with a guitar and washboard. You might find yourself taken from a street parade surrounded by mournful horns, to gazing up at the starry sky contemplating your place in the universe, all in a single song. There are many journeys and emotions awaiting the listener on Call it Home. You never know where the Honeydrops will take you, but where ever you end up, you’ll want to dance.”

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Fuzzy Haskins – Sometimes I Rock and Roll (1976)

“Haskins released his first solo album, A Whole Nother Thang, in 1976. The album featured P-Funk members: Tiki Fulwood and Cordell “Boogie” Mosson on drums, and Bootsy Collins and Mosson on bass. Bernie Worrell makes an appearance on keyboards, contributing horn and string arrangements as well. Haskins served as producer, singer, songwriter, guitarist and even drummer on one song.” Wiki

Will Long – Nothing’s Changed (2018)

“As much as is said of our current times being new lows, where things have changed for the worse and we’re unsure of the future, it’s worth returning to study the past to understand how steadily low we remain. “Nothing’s changed,” says a younger Barack Obama in a sample for the opening track. “Long Trax 2” is the second album from Will Long after his 2016 “Long Trax” debut on Comatonse Recordings. The album presents as an ongoing criticism of cultural stasis, conveyed via minimal synthesizers, sampler, and rhythm machine. Dancefloors are widely perceived by the masses as safe zones, but few can imagine how to apply notions of safety and equality to other aspects of society. We shouldn’t need clubs to hide from our fears and differences in the outside world. Looking ahead, we should look not so optimistically upon what we have accomplished, but with urgency and empathy upon what we haven’t.” Source

Suuns – Watch You, Watch Me (2018)


“Scorched techno-punk blurs to smiley-faced synth workout blurs to narcotic psych comedown. Nothing is what it seems, and no one musical element is in total command. Low-pitched synths flower and undulate and evaporate like storm clouds in spring. Drums rustle and tumble as single guitar notes drone in slinky repetition, smeared with cotton-light manipulation. Ben Shemie’s slack voice drifts beneath and above the fray, parched yet mellifluous. The effect works whether Suuns play slow or fast, as with shoegaze, and they are constantly searching for any place to inseam a groove.” Source

Ed Rush & Nico – Mothership (1997)

“Released at the height of the label’s popularity, No U-Turn’s artist compilation Torque is a pummeling, rock-solid introduction to the force that brought darkcore jungle to a new level of menace in 1996. Home to Ed Rush, Nico, DJ Trace, and newcomer Fierce, No U-Turn’s (as well as NUT sublabel Nu Black’s) steady output — all muddy, hissing electronics; unruly, superdense, overlapping basslines; and splintering, driving breaks — arguably dominated the jungle scene in the latter half of 1996, spawning hordes of imitators.” Allmusic

Dengue Dengue Dengue – Son de los Diablos (2018)


“Peruvian duo Dengue Dengue Dengue’s return to Enchufada with new EP, ‘Son De Los Diablos’ — a record named after the traditional dance of the same name, Spanish for ‘Sound of the Devils’. Brought over the duo’s native Peru by Spanish conquistadors, it originally took the form of a procession of dancers and musicians that would take to Lima’s streets wearing devil masks, absorbing the cultural and musical traditions of the local Afroperuvian slave population of the time. A core influence in modern Peruvian music and culture today, Afroperuvian styles also continue to inform the music of Dengue Dengue Dengue” Bandcamp