“Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. Fancy Pants is his second LP with his Lightmen band and, like the deep-set, maverick jazz issued by the likes of Tribe and Strata East, is amongst the best of the 1970s jazz underground, a collective voice of resistance to the musical and cultural status quo.” Source:Reissue
Month: May 2018
New York Dolls – Don’t Start Me Talking (1973)
Bombino – Oulhin (2018)
“‘Oulhin’, the third single from the forthcoming album by Bombino, titled ‘Deran’.
Released on 18th May 2018 on Partisan Records.
Order/listen: https://bombino.lnk.to/deran”
Sarah Shook & the Disarmers – The Bottle Never Lets Me Down (2018)
from the Bloodshot Records album YEARS
directed by Gorman Bechard
edited by Gorman Bechard & Chloe Barczak”
https://sarahshookthedisarmers.bandcamp.com/
The Contemporary Jazz Quintet – Inner Beckoning (1973)
‘Location’ dropped on Cox’s own Strata imprint. Led by Kenny Cox on piano and electric piano, the quintet also features Charles Moore on flugelhorn, trumpet and percussion – an enormously influential figure on the Detroit scene – along with guitarist and Motown side-man Ron English. This five-track offering shows the ensemble to have side-stepped the shadow of 60’s Miles Davis for a more muscular and explosive art form. From the aptly entitled opening salvo of ‘Bang’ to the expansive thirteen minute ‘Inner Beckoning’, ‘Location’ delivers that sense of restless reflection and stubborn resistance which characterized the dawn of the Seventies in the Motor City.” Source
David Grubbs & Taku Unami – The Forest Dictation (2018)
“Primarily influenced by Japanese novelist Atsushi Nakajima’s existential folktales and an exchange of recommended reading between Grubbs and Unami, Failed Celestial Creatures is as lovely and literate as you would expect from two artists that revel in being as audaciously off-piste as can be — in the best possible way.” Source
Scott Tuma – Durango (2017)
“Chicago folk ascetic Scott Tuma’s ‘No Greener Grass’ is a deep-rooted and photographic song cycle unfolding like a palimpsest of American roots music creating an aural moiré effect as the distorted echoes of the past are put to use in documenting the ever-fleeting present.”
Carla Bozulich & Freddy Ruppert – Glass House (2018)
“Carla Bozulich is diversely experimental, uncompromising and continues to be ceaselessly devoted to mixing art-punk ethics and creativity. Here, with Quieter, is an intensely emotive, intuitive, enchantingly cohesive collection of previously orphaned and one-off tracks where, uncharacteristically, nothing ever quite screams. Carla’s way with a fleshy edge remains sharp as ever. A couple of these are left over from the bountifully productive sessions from her brilliant and widely-acclaimed 2014 album Boy; others featuring collaborations with the likes of Marc Ribot, Sarah Lipstate (Noveller), Freddy Ruppert, Shahzad Ismaily and more.” Bandcamp
Rank and File – Rank and File (1982)
RIP Tony Kinman, Thank You for the music.
Say Sue Me – Beginning To See The Light (2018)
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In their own words: “We had always thought about a cover album, so we agreed to make a small album aimed for release on Record Store Day 2018. In December 2017, we started the new project with a light and excited heart, as soon as we finished recording our second album.
At first, we thought about Yo La Tengo or Pavement which are our all time favorites but we decided to take the music of legendary bands from a little earlier times to cover in our style.
The first song we picked was Velvet Underground’s Beginning To See The Light. It was a song suggested by Sumi. She strongly recommended this song, because she always admired Lou Reed’s self-confident attitude and genius talent…”Bandcamp