Aerial M – Blue Black Holler (1999)

Drums – Tony Balley
Guitar – David Pajo, Luigi Bandanovich
Label: Monster Truck Records ‎– #1
Format: Vinyl, 7″, Limited Edition, Numbered

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Bambara – Back Home (2018)

“Shadow On Everything, the third LP by Bambara and their first for Wharf Cat Records, represents a decisive step forward for the NYC-via-Georgia trio. Frontman Reid Bateh, drummer Blaze Bateh, and bassist William Brookshire have always been adept students of noise rock and post-punk, mining the work of bands like Swans and The Birthday Party to construct what NPR called their “beautifully dynamic nightmares.” Now, they’ve transcended their early influences to produce a Western Gothic concept album that sounds as big as the desert sky looming over its characters’ lives.”Source

Ikue Mori with Robert Quine and Marc Ribot – Mojave (1995)

iko

Drum Programming – Ikue Mori
Executive Producer – Kazunori Sugiyama
Guitar – Marc Ribot, Robert Quine
Mastered By – Allan Tucker
Mixed By – Joe Ferla
Producer – John Zorn
Recorded By – Alec Head

Recorded at Sear Sound, NYC, 14-16 February 1994.
Mixed at Sound On Sound, 24 July 1994.
Mastered at Foothill Digital, NYC.

“Guitarist Robert Quine has claimed that Painted Desert is his session, but it wasn’t released as such “because of legalities.” Ikue Mori, under whose name this album was released, views it more as a meeting between Quine and herself that was directed by producer John Zorn. Either way, Painted Desert is a stunning work of guitar and drum machine/sampler trios. Mori recorded her parts, which rely primarily on tom tom and cymbal sounds, and then gave the tapes to Quine and Marc Ribot, who improvised guitar parts…”Source

Colin Hinton – Felines (2018)

Colin

“On his debut full-length as a bandleader and composer, Hinton’s Glassbath channels the edgy jazz/rock of Jim Black’s AlasNoAxis, the vast sonic landscapes of post-rock pioneers such as Mogwai and Godspeed You! Black Emperor, the post-hardcore/indie-rock of Dallas’ Red Animal War, and the audacious experimental jazz of Anthony Braxton, Henry Threadgill, and Peter Brötzmann.
With the leader’s passionate and deeply musical drumming at its core, the group honors Hinton’s duel allegiance to both the Texas indie rock scene and New York’s forward-thinking jazz community. Angular pulses draw the listener in, before abrupt left turns into frenetic abstraction turn expectations upside down.
credits
released February 20, 2018

Peyton Pleninger – tenor
Edward Gavitt – guitar
Nick Dunston – electric bass
Colin Hinton – drums/compositions ” Bandcamp