Mazzy Star – Quiet, The Winter Harbor (2018)

“Mazzy Star are set to release a new EP called Still on June 1st. The band’s first such release in four years, the EP contains three new tracks plus an alternate “acension” version of “So Tonight That I Might See”. One of those new tracks is called “Quiet, the Winter Harbor”…” Source

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RLYR – Actual Existence (2018)

“Chicago-based experimental rock trio RLYR (pronounced “Relayer”) are proud to present their sophomore album Actual Existence, a four song full-length that distills and expands on the explosive energy and anthemic catharses of the band’s 2016 debut Delayer. Comprising Steven Hess (Locrian, Cleared), Colin DeKuiper (Bloodiest, ex-Russian Circles), and Trevor Shelley de Brauw (Pelican, Chord), RLYR’s indelible earworm melodies belie the intricacy and labryinthian structures of their songs. Actual Existence represents a step forward in complexity for the instrumental band, while preserving the exhilarating climaxes and frenetic intensity that are hallmarks of their live performances.” Bandcamp

Jamie Saft, Steve Swallow and Bobby Previte With Iggy Pop – Everyday (2017)

“So, the front man for the rock/pop group called The Stooges gets an invite to pitch in with a classic jazz piano trio. The Stooge would be Iggy Pop; the piano trio, Jamie Saft’s, with bassist Steve Swallow and drummer Bobby Previte. That’s quite an experiment, like something Frank Zappa might have tried.

Pianist Jamie Saft has hitched a big part of his star to John Zorn, appearing, as a sideman or leader, on a score of Zorn’s Tzadik label outings. That says “adventurous,” and “no boundaries.” But in his piano trio outings milieu, the avant-garde buttons aren’t pushed all that hard.” Allaboutjazz

Jutta Hipp -Indian Summer (1955)

Jutta Hipp – Piano
Harry Schell – Bass
Karl Sanner – Drums
Recorded in Studio Recordings Villa Berg SDR Stuttgart
June 28,1955

“German-born pianist Jutta Hipp (1925-2003) was enticed to travel to New York in 1955 by jazz writer/historian Leonard Feather. She was signed by Alfred Lion to Blue Note Records where she very quickly—within an eight month period—recorded three albums for the label: At the Hickory House, Vol. 1 (1955); At the Hickory House, Vol. 2, and Jutta Hipp with Zoot Sims, a teaming with the tenor saxophonist which was her most successful album.

Then it was over. Hipp left the music world in 1958 and supported herself in New York City as a seamstress and painter. She never returned to Germany, never again performed or recorded. The “why” of her retreat has never been fully explained, and she remains a “What If? artist. What if she had been able to achieve her considerable potential?” AllAboutJazz

The California Honeydrops – Call It Home (feat. Bonnie Raitt) (2018)

“This album, like this band and its members, cannot be put in a box. Though very much ‘of this time’, the music and stories on this album take you through many eras, places and points of view. Some songs might find you reminiscing, cruising your old neighborhood a sunny day with a full orchestra pouring out of the stereo. Then suddenly you hear tambourines and voices pouring out of a storefront church. You may find yourself sweating out a weeks work on the dance floor at a house party or just singing round a campfire with a guitar and washboard. You might find yourself taken from a street parade surrounded by mournful horns, to gazing up at the starry sky contemplating your place in the universe, all in a single song. There are many journeys and emotions awaiting the listener on Call it Home. You never know where the Honeydrops will take you, but where ever you end up, you’ll want to dance.”