“Mazzy Star are set to release a new EP called Still on June 1st. The band’s first such release in four years, the EP contains three new tracks plus an alternate “acension” version of “So Tonight That I Might See”. One of those new tracks is called “Quiet, the Winter Harbor”…” Source
“Chicago-based experimental rock trio RLYR (pronounced “Relayer”) are proud to present their sophomore album Actual Existence, a four song full-length that distills and expands on the explosive energy and anthemic catharses of the band’s 2016 debut Delayer. Comprising Steven Hess (Locrian, Cleared), Colin DeKuiper (Bloodiest, ex-Russian Circles), and Trevor Shelley de Brauw (Pelican, Chord), RLYR’s indelible earworm melodies belie the intricacy and labryinthian structures of their songs. Actual Existence represents a step forward in complexity for the instrumental band, while preserving the exhilarating climaxes and frenetic intensity that are hallmarks of their live performances.” Bandcamp
“The People’s Key is an organ jazz ensemble designed to connect the jazz vernacular with a modernized songbook. The People’s Key performs material from popular artists, genres, songs, and themes of recent times to engage in the maximum connection possible with their audience participants.”
“So, the front man for the rock/pop group called The Stooges gets an invite to pitch in with a classic jazz piano trio. The Stooge would be Iggy Pop; the piano trio, Jamie Saft’s, with bassist Steve Swallow and drummer Bobby Previte. That’s quite an experiment, like something Frank Zappa might have tried.
Pianist Jamie Saft has hitched a big part of his star to John Zorn, appearing, as a sideman or leader, on a score of Zorn’s Tzadik label outings. That says “adventurous,” and “no boundaries.” But in his piano trio outings milieu, the avant-garde buttons aren’t pushed all that hard.” Allaboutjazz
Jutta Hipp – Piano
Harry Schell – Bass
Karl Sanner – Drums
Recorded in Studio Recordings Villa Berg SDR Stuttgart
“German-born pianist Jutta Hipp (1925-2003) was enticed to travel to New York in 1955 by jazz writer/historian Leonard Feather. She was signed by Alfred Lion to Blue Note Records where she very quickly—within an eight month period—recorded three albums for the label: At the Hickory House, Vol. 1 (1955); At the Hickory House, Vol. 2, and Jutta Hipp with Zoot Sims, a teaming with the tenor saxophonist which was her most successful album.
Then it was over. Hipp left the music world in 1958 and supported herself in New York City as a seamstress and painter. She never returned to Germany, never again performed or recorded. The “why” of her retreat has never been fully explained, and she remains a “What If? artist. What if she had been able to achieve her considerable potential?” AllAboutJazz
“This album, like this band and its members, cannot be put in a box. Though very much ‘of this time’, the music and stories on this album take you through many eras, places and points of view. Some songs might find you reminiscing, cruising your old neighborhood a sunny day with a full orchestra pouring out of the stereo. Then suddenly you hear tambourines and voices pouring out of a storefront church. You may find yourself sweating out a weeks work on the dance floor at a house party or just singing round a campfire with a guitar and washboard. You might find yourself taken from a street parade surrounded by mournful horns, to gazing up at the starry sky contemplating your place in the universe, all in a single song. There are many journeys and emotions awaiting the listener on Call it Home. You never know where the Honeydrops will take you, but where ever you end up, you’ll want to dance.”
“One of the greatest early Manfred Mann sides, this version of the (at the time) unreleased Bob Dylan song gave the band a huge (number two) hit in England in late 1965. The arrangement is one of the greatest adaptations of a Dylan song, rivaling some of the Byrds’ efforts from the period. Led by a fabulous, almost country-rock guitar lick from Mike Vickers and a powerful drum pattern by Mike Hugg, singer Paul Jones lays down one of his greatest vocals, clearly echoing the tough stance of the lyrics. Although the record never made an impact in the U.S., it is widely reported that Dylan himself loved this version and commented that the Manfreds did his material better that most.” Allmusic
“Hi! We are the Woolly Bushmen!!
We enjoy playing Rock n Roll music in the same manner which we make love… HARD AND FAST! Unless it’s one of our two ballads or the melancholy song which appears every so often on some of our records. Thank you for visiting our bandcamp site. Please support our amphetamine abuse by buying our records.” BUY