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RIP Tony Kinman, Thank You for the music.
Say Sue Me – Beginning To See The Light (2018)
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In their own words: “We had always thought about a cover album, so we agreed to make a small album aimed for release on Record Store Day 2018. In December 2017, we started the new project with a light and excited heart, as soon as we finished recording our second album.
At first, we thought about Yo La Tengo or Pavement which are our all time favorites but we decided to take the music of legendary bands from a little earlier times to cover in our style.
The first song we picked was Velvet Underground’s Beginning To See The Light. It was a song suggested by Sumi. She strongly recommended this song, because she always admired Lou Reed’s self-confident attitude and genius talent…”Bandcamp
Aquaserge – My Funny Valentine (2018)
“As many of us already know, the hyper-imaginative sound of experimental pop band Aquaserge takes on an even wilder dimension on stage, and they’re viewed as one of today’s most exciting live bands. In the wake of last year’s acclaimed Laisse ça être album, here’s an opportunity to enjoy Aquaserge’s tremendous live sound. Déjà-Vous? (‘you, already?’) was created from recordings made during two shows in 2016 and 2017, for which the band was augmented by the 3-piece horn section which plays with them on specific occasions.”Bandcamp
Charley Crockett – Lil’ Girls Name (2018)
“This is how traditional country can feel so close to old blues and primitive rock and roll, and even Cajun music and ragtime soul settle into the equation. They’re all different, but they’re all the same because it’s the music that came before, and the music that will always be, regardless of the direction the fickle winds of trend or popular culture blow.” savingcountrymusic.com
Hannes Wader – Internationale (1977)
Mazzy Star – Quiet, The Winter Harbor (2018)
“Mazzy Star are set to release a new EP called Still on June 1st. The band’s first such release in four years, the EP contains three new tracks plus an alternate “acension” version of “So Tonight That I Might See”. One of those new tracks is called “Quiet, the Winter Harbor”…” Source
RLYR – Actual Existence (2018)
“Chicago-based experimental rock trio RLYR (pronounced “Relayer”) are proud to present their sophomore album Actual Existence, a four song full-length that distills and expands on the explosive energy and anthemic catharses of the band’s 2016 debut Delayer. Comprising Steven Hess (Locrian, Cleared), Colin DeKuiper (Bloodiest, ex-Russian Circles), and Trevor Shelley de Brauw (Pelican, Chord), RLYR’s indelible earworm melodies belie the intricacy and labryinthian structures of their songs. Actual Existence represents a step forward in complexity for the instrumental band, while preserving the exhilarating climaxes and frenetic intensity that are hallmarks of their live performances.” Bandcamp
The People’s Key – Age of Aquarius (2013)
“The People’s Key is an organ jazz ensemble designed to connect the jazz vernacular with a modernized songbook. The People’s Key performs material from popular artists, genres, songs, and themes of recent times to engage in the maximum connection possible with their audience participants.”
Jamie Saft, Steve Swallow and Bobby Previte With Iggy Pop – Everyday (2017)
“So, the front man for the rock/pop group called The Stooges gets an invite to pitch in with a classic jazz piano trio. The Stooge would be Iggy Pop; the piano trio, Jamie Saft’s, with bassist Steve Swallow and drummer Bobby Previte. That’s quite an experiment, like something Frank Zappa might have tried.
Pianist Jamie Saft has hitched a big part of his star to John Zorn, appearing, as a sideman or leader, on a score of Zorn’s Tzadik label outings. That says “adventurous,” and “no boundaries.” But in his piano trio outings milieu, the avant-garde buttons aren’t pushed all that hard.” Allaboutjazz
Aerial M – Blue Black Holler (1999)
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Drums – Tony Balley
Guitar – David Pajo, Luigi Bandanovich
Label: Monster Truck Records – #1
Format: Vinyl, 7″, Limited Edition, Numbered
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