Arnold de Boer – Vocals, guitar, claps
Terrie Hessels – Guitar
Katherina Bornefeld – Drums, vocals
Andy Moor – Guitar, baritone guitar
Taken from the 2018 album “Your Queen Is A Reptile”
“It is appropriate that this, British-based Sons of Kemet’s third album, should be released under the Impulse banner. During its heyday, Impulse was the home of John Coltrane, Alice Coltrane and Pharoah Sanders and as such was the chief platform for the cosmic/spiritual jazz movement of the 1960s and 1970s and that movement’s demand for white-majority society’s recognition of black culture and respect for black people.” Source
Sons Of Kemet Official Website
“On his debut full-length as a bandleader and composer, Hinton’s Glassbath channels the edgy jazz/rock of Jim Black’s AlasNoAxis, the vast sonic landscapes of post-rock pioneers such as Mogwai and Godspeed You! Black Emperor, the post-hardcore/indie-rock of Dallas’ Red Animal War, and the audacious experimental jazz of Anthony Braxton, Henry Threadgill, and Peter Brötzmann.
With the leader’s passionate and deeply musical drumming at its core, the group honors Hinton’s duel allegiance to both the Texas indie rock scene and New York’s forward-thinking jazz community. Angular pulses draw the listener in, before abrupt left turns into frenetic abstraction turn expectations upside down.
released February 20, 2018
Peyton Pleninger – tenor
Edward Gavitt – guitar
Nick Dunston – electric bass
Colin Hinton – drums/compositions ” Bandcamp
As we all know, 1974 was a brilliant year in music. This is a track from the Henry Cow album ‘Unrest’, and it is absolutely outstanding as is the whole album.
“By this point Henry Cow consisted of guitarist Fred Frith, drummer Chris Cutler, bassist John Greaves, keyboardist Tim Hodgkinson, and, of particular importance to the band’s sound at this point, bassoonist Lindsay Cooper. As is so often the case with avant-garde rock & roll, it’s the composed pieces that work best, and the fact that Frith is responsible for the majority of them is significant. “Bittern Storm Over Ulm” is an absolutely brilliant demolition of the Yardbirds’ “Got to Hurry,” …”Allmusic
available here: https://fanlink.to/RIS from Chet Doxas’ “Rich in Symbols”. Chet Doxas (saxophone), Matthew Stevens (guitar), Zack Lober (bass), Eric Doob (drums). Available on Ropea
“Chet Doxas is quickly becoming one of the most well respected and sought after saxophonists and composers of his generation. He is best known for his ability to add his inspired voice to a wide variety of musical settings and styles.” Source
“Elephant9 blends the virtuosic precision of King Crimson and Yes with the jazz-fusion explorations of electric Miles, Weather Report and the Tony Williams Lifetime. Key and time signatures change constantly as the quartet helters and skelters between tightly composed sections, driving kosmische interludes and bucolic Canterbury excursions. Rolling Stone(US)(…)On this, their fifth studio album, they are back to the core trio of their two first albums, with Ståle Storløkken (keyboards), Nikolai Hængsle (bass) and Torstein Lofthus (drums). “The Greatest Show On Earth” displays some truly astonishing playing and is a more dynamic, structured and focused album with all tracks clocking in between five and seven minutes.” Source
“Jü plays the music of ecstasy.
Psychedelic noise rock, power-jazz and folk all form an integral part of their compositions, evolving from seemingly rigorous, repetitive swirling patterns that deliver spectacular amounts of energy.
Apart from obvious reminiscences of the golden age of fusion (late 60s, early 70s), Jü’s main objective is far from evoking that era.
By pushing their instruments to new limits, entranced audiences are transported from the continuous present into the future, ideally, leaving behind past ways of thinking about music itself.
Despite being seemingly restrained by their strict form of composition, disciplined by the common ground of tonality and dynamics, the creative members of the trio are allowed plenty of room for spirited improvisation.” (translated from Hungarian) Barotányi Zoltán / Magyar Narancs Source
“Here’s “Flux and Soldier” … from the awesome fucking record “Throttle Elevator Music – Retrorespective” – This is an awesome album from what has evolved into ‘Kamasi Washington’s Punk Rock band’ – from the driving force behind much of Wide Hive Records (the Gregory Howe and Matt Montgomery powerhouse that is behind “Dissent” “Variable Unit” “Neomythics” and countless other projects, comes a hybrid almost too good to be true. Take the best parts of punk and jazz, cut the fat off, simmer for 20 minutes and then fry with a blow torch till golden brown. You are going to love this record!”
“On this album I hear nothing else than the greatest of respect to what James Blood Ulmer is, whatever that is, and also with the soul, passion and force that is The Thing…”Source