“A few years ago, American composer and trombonist PETER ZUMMO discovered a 1984 recording of unreleased material from his Six Songs suite in his archive. Six Songs was the basis for LATERAL PASS (Foom 2014), his award winning score for modern-dance choreographer Trisha Brown’s work of the same name. Material taken from Six Songs can also be heard on his seminal ZUMMO WITH AN X (Loris Bend, 1985/Optimo 2012).
The work is now being released as a new LP, FRAME LOOP. Recorded live and in single takes, it features a stellar line-up of longtime ZUMMO collaborators: ARTHUR RUSSELL on amplified cello, BILL RUYLE on marimba, and MUSTAFA AHMED on congas. ZUMMO plays trombone and euphonium.” Bandcamp
Month: April 2018
The Kinks – Lola [Instrumental] (1971)
Taken from the 1971 album “Percy”
Percy is a 1971 film soundtrack for the British comedy film Percy performed by English rock group the Kinks with additional orchestral arrangements conducted by Stanley Myers. The songs were written by Ray Davies and include both standard rock/pop songs and instrumental numbers.”Wiki
Groeni – The Pharmacist (2018)
Taken from the 2018 album “Nihx”
“Created at the footstep of Mount Victoria, Groeni wanted to challenge themselves compositionally and sonically with Nihx. Nihx explores the characteristics of points of conflict between opposing forces. As in the past, and as with many electronic outfits, the music had been written ‘in the box’, so to speak. To counter this technique the three members of Groeni (Al, Mike, and James) each wrote numerous compositional sketches that were more or less complete as frameworks before entering them into the digital realm.”Bandcamp
Sons Of Kemet – My Queen Is Harriet Tubman (2018)
Taken from the 2018 album “Your Queen Is A Reptile”
“It is appropriate that this, British-based Sons of Kemet’s third album, should be released under the Impulse banner. During its heyday, Impulse was the home of John Coltrane, Alice Coltrane and Pharoah Sanders and as such was the chief platform for the cosmic/spiritual jazz movement of the 1960s and 1970s and that movement’s demand for white-majority society’s recognition of black culture and respect for black people.” Source
Sons Of Kemet Official Website