Valerie June – Workin’ Woman Blues


Just when we thought that genuine, deep roots folk blues music was only a domain of previous generations, the fodder of adoring revivalists, archivists and folklorists, a dead, fallen tree laying in the meadow, here is a beautiful, strong new sprout from an old tree. Valerie June is a powerful folk singer who directly descends out the old traditions, not an admirer or emulator, but an unexpected, wonderful, truehearted authentic outgrowth of traditions. She is not just keeping the old music alive, this is and was always her music. The adjective “awesome” is often overused, but for this singer, it should be restored to its original meaning. This is original folk music, played as fresh and sincere as it gets.
Read More…

Uncle Tupelo – I Got Drunk


“I took me a fifth and poured me a shot/and thought about all the things I haven’t got” opens this, the first non-album release from Uncle Tupelo. Recorded in 1990, right after the release of No Depression, this is Farrar, Tweedy, and Heidorn at their most defeated, smoldering, and uncompromising. In “I Got Drunk,” drinking hasn’t yet acquired the pathos and sense of alienation that it would on Still Feel Gone, and there’s still something redemptive, adolescent, and political about the pleasures of self-destructive consumption. But the lyrics, the opening one especially, have a descriptive poignancy that escapes listeners now. Finding the world wanting and drinking to forget described a state of feeling and a response to a set of conditions, neither of which exist any longer. In 1990, white youth were growing up in a post-Marxian cultural and economic malaise that emerged out of the new century’s consumer society where politics and art live on in suspended animation, where the world is never found wanting because it no longer makes sense to ask it for anything, and “all the things I haven’t got” is a turn of phrase that lilts strangely on the ear — almost foreign, most archaic. Backing up “I Got Drunk” is an excellent down-tempo version of the Gram Parson’s classic “Sin City.”

Willie Nelson – She’s Not For You & Darkness On The Face Of The Earth


Willie Hugh Nelson (pronounced /wɪli nɛlsən/; born April 30, 1933)[1] is an American country music singer-songwriter, as well as an author, poet, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed at the end of the 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana.

Color Me Obsessed: A Film About The Replacements


Gorman Bechard’s Color Me Obsessed is the rare music documentary that lavishes admiration not only onto its subject, rowdy Minneapolis cult rock band The Replacements, but on the band’s fans as well. The doc doesn’t feature a single song by The Replacements, nor does it feature interviews with any of the three surviving members. Instead, Bechard lets the fans tell the story. Over the course of the film, he interviews dozens of subjects: the musicians, misfits, and devotees whose formative years were sound-tracked by The Replacements. We hear conflicting opinions about nearly everything – favorite songs, band dynamics, the point at which things turned sour. And we hear story after story about how the band changed (and in some cases saved) people’s lives.
Read here

Here’s one of my personal Replacements fav’s

Advance Base – New Gospel


Advance Base is the new musical project by Chicago, Illinois singer/songwriter Owen Ashworth (formerly of Casiotone for the Painfully Alone). A Shut-In’s Prayer is Ashworth’s first full-length release in over three years, & the first by Advance Base. Recorded at home & in piano practice rooms at the Chicago Public Library, A Shut-In’s Prayer is an intimate collection of deliberately crafted blues, waltzes & ballads. Ashworth sings nostalgic stories about lost loves, childhood friends, estranged siblings, & other hard feelings over simple drum machine rhythms & sparse hand percussion. Warm & twinkling piano lines fill the spaces between harmony vocals & strummed autoharp chords, with the occasional creaking floorboard or snapping reverb spring to remind you where you are. It’s a different atmosphere than one might expect from the dude from Casiotone for the Painfully Alone, but clear that Ashworth’s keen ear for melody & idiosyncratic lyrical abilities have only expanded in recent years. At age 35, Ashworth has a lot of music left in him, & he’s just getting started again. The album will be released on CD, vinyl and digitally. More information soon at and
The Whole Story